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You can still find the shaky footage of a pre-fame Justin Bieber performing Chris Brown’s “With You” from his family living room other singers have made entire careers out of posting covers to YouTube.

Arguably this is what drove hordes of aspiring young singers to YouTube, using the platform to share their own covers in the hopes of achieving fame.

#YOUTUBE KARAOKE USHER THERE GOES MY BABY COVER VERSION TV#

Reality TV contests such as Pop Idol, The X Factor and The Voice have achieved hits with contestants including Will Young (2002, “Evergreen” by Westlife), Leona Lewis (2007, “Run” by Snow Patrol) and Alexandra Burke (2008, “Hallelujah” by Leonard Cohen). Recorded at a time where Cash’s health was failing and his career was in decline, “Hurt” helped resurrect the outlaw countryman’s status as one of the all-time American greats.įor new musicians, covering a song by an established artist can provide a launchpad for their own careers. “It really made me think about how powerful music is,” he said. When Reznor saw director Mark Romanek’s video for the cover, which shows Cash performing it in the derelict House of Cash museum as framed photos of his late wife June look on, his opinion on the cover changed. It felt invasive.”īut in being covered, songs can take on new meaning. Hearing it was like someone kissing your girlfriend.

It was this other person inhabiting my most personal song. “I listened to it and it was very strange. “I said I’d be very flattered but was given no indication it would actually be recorded.” After two weeks, Reznor received a CD in the post. “ called me to ask how I’d feel if Johnny Cash covered ‘Hurt’,” NIN frontman Trent Reznor told The Sun in 2008. It worked in both artists’ favour, too, when Johnny Cash covered “Hurt” by Nine Inch Nails for his 2002 album, American IV: The Man Comes Around (the album included other covers, including “Personal Jesus” by Depeche Mode). “The days it’s in my head are when I have to put down the guitar and just forget about writing.” Cover versions having greater success than the original can have an understandable impact on the songwriter’s ego, both good and bad: “I certainly have to try hard sometimes to not think about ‘Valerie’,” Zutons frontman Dave McCabe told The Independent in 2011. The song hit No 2 on the UK singles chart and became one of the most successful singles of the year. At the time, The Guardian predicted it would “survive the fad for retro covers” but said that, while Winehouse’s voice was beautiful, it was “Mark Ronson’s production, rooted in a heavy bassline and pounding drums, that brings Valerie to life”. Take Amy Winehouse on “Valerie” by The Zutons, released on Mark Ronson’s covers album Versions in 2007. On many occasions, the success of a cover song has transcended the original.

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“I wasn’t going to strip that back completely, because the production is a huge part of why that song slaps incredibly hard.” “I f***ing love that song but she’s a very different artist to me,” explains Hackman. “It’s a very different experience, but it stopped me from doing nothing.” She chose songs by artists she admired, and was careful when it came to interpreting them, especially ones of completely different genres, such as the futuristic pop artist Grimes’s EDM scorcher “Realiti”. “I didn’t want to stress myself out and flog a dead horse,” she says.

#YOUTUBE KARAOKE USHER THERE GOES MY BABY COVER VERSION FULL#

And musicians themselves, too.įor English folk artist Marika Hackman, who released a full album of low-key covers last month, it was a way of avoiding writer’s block caused by pandemic anxiety.

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But over the past few years in music, and particularly in 2020, where musicians have found themselves with a considerable amount of free time on their hands, the cover song has been given a new lease of life. To many people, these evidence the entertainment industry’s lack of originality. In Hollywood, remakes and reboots are the currency. Whether Frank Sinatra and the Great American Songbook, Jimi Hendrix’s “All Along the Watchtower” or Miley Cyrus’s take on “Zombie” by The Cranberries, countless musicians have offered their own interpretations of other people’s music, for money, to gain a following or as a means of appreciation. The cover has been a music industry staple forever.